Faculty

Stacy Carson Hubbard

Associate Professor and Director of Composition
Office: Clemens 507
Phone number: 645-0699
E-mail address: sch1@buffalo.edu

 

Interests:

Nineteenth and twentieth century American literature and culture; poetry and poetics; transatlantic modernism; feminist studies and women’s literature; visual studies

Courses taught:

  • Undergraduate: Literary Types: Poetry; Modern American Poetry; The Literature of World War I; American Literary and Cultural Criticism; Literature and Gender; Art and Literature in the Gilded Age
  • Graduate: Marianne Moore and Gertrude Stein; Emersonian Poetics; Art and Literature in America: The Real and the Spectacular; The Americanist Colloquium; The Domestic Tradition in America; The Feminine, the Primitive, and the Collecting Arts in America, 1893-1935

Work in progress:

I am currently working on a study of the responses of nineteenth and twentieth century American women writers to the works of Ralph Waldo Emerson, as well as a series of articles on the poetry and prose of Marianne Moore.

Selected publications:

  • “Introduction” to The Early Poems and Plays of Edna St. Vincent Millay (New York: Barnes and Noble Essential Reading Series, 2006).
  • “Mannerist Moore: Poetry, Painting, Photography,” in ‘A Right Good Salvo of Barks’: Poets and Critics on Marianne Moore, eds. Linda Leavell, Cristanne Miller and Robin Schulze (Lewisburg, PA: Bucknell UP, 2005): 113-36.
  • “Love’s ‘Little Day’: Time and the Sexual Body in Edna St. Vincent Millay’s Sonnets,” in Millay at 100: A Critical Reappraisal, ed. Diane P. Freedman (Carbondale, IL: Southern Illinois Press, 1995): 100-116; excerpted at http://www.english.uiuc.educ/maps/poets, Website companion to Anthology of American Poetry, ed. Cary Nelson (New York: Oxford UP, 2000).
  • “The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry,’ Sagetrieb 12:2 (Fall 1993): 7-32; excerpted at http://www.english.uiuc.edu/maps/poets, Website companion to Anthology of American Poetry, ed. Cary Nelson (New York: Oxford UP, 2000).
  • “Telling Accounts: DeQuincey at the Bookseller’s,” in Postmodernism Across the Ages: Essays for a Postmodernity that Wasn’t Born Yesterday, eds. Bill Readings and Bennet Schaber (Syracuse, NY: Syracuse UP, 1993): 153-68.
  • “’A Splintery Box’: Race and Gender in the Sonnets of Gwendolyn Brooks,” in Genre: Forms of Discourse and Culture 25:1 (Spring 1992): 47-64. Reprinted in Diversifying the Discourse: The Florence Howe Award for Feminist Studies: 1990-2003, eds. Roseanne Dufault and Mihoko Suzuki (New York: Modern Language Association Press, 2006).